Connexion
S'inscrire
FR
Ana Navas 1984
Vit à Amsterdam (NL). Travaille dans Amsterdam (NL).
Représenté par:
tegenboschvanvreden
Concepts such as transformation, assimilation and appropriation play an important role in the work of multimedia artist Ana Navas (1984, Quito, ECU). Navas’ presentations often consist of installations in which paintings, objects, assemblages and video function as ‘areas’ in which those processes of transformation and assimilation take place. Mimicry is a key theme in Navas’ work, alongside notions of stereotype (or stereotypical identities) and the role of the accompanying costumes in social interactions.
A specific topic that Navas focuses on in her work is the combination of fashion, power and the identity of women. Navas: "I started to develop a new body of work on fashion's accompaniment in women's aim to break the glass ceiling." What began as a sculptural interpretation of clothing advice to women in different situations and different times, developed into a research into femininity, power structures and notions of identity determined by their cultural context.
For Navas, art is a dialogue with the other, a dialogue that is not limited to the professional public, but that generates an echo in a wider field. One of the most important questions in her work is how art is perceived and transformed outside the context of art itself and what are the points where different disciplines such as ethnology, art and design meet. She is also fascinated by the relationship between high and popular culture.
Navas often works on different series of works at the same time. The conceptual connection between the works is created in the process of installing. With the idea of transformation in mind, Navas considers an exhibition as an "essayistic" moment rather than as a definitive form. The works are understood as modules that can be reused for new "pieces". In this way they are charged with a new meaning in every new constellation.
A specific topic that Navas focuses on in her work is the combination of fashion, power and the identity of women. Navas: "I started to develop a new body of work on fashion's accompaniment in women's aim to break the glass ceiling." What began as a sculptural interpretation of clothing advice to women in different situations and different times, developed into a research into femininity, power structures and notions of identity determined by their cultural context.
For Navas, art is a dialogue with the other, a dialogue that is not limited to the professional public, but that generates an echo in a wider field. One of the most important questions in her work is how art is perceived and transformed outside the context of art itself and what are the points where different disciplines such as ethnology, art and design meet. She is also fascinated by the relationship between high and popular culture.
Navas often works on different series of works at the same time. The conceptual connection between the works is created in the process of installing. With the idea of transformation in mind, Navas considers an exhibition as an "essayistic" moment rather than as a definitive form. The works are understood as modules that can be reused for new "pieces". In this way they are charged with a new meaning in every new constellation.
Oeuvres d'art
Articles
Médias
Points forts
Recommandations
Collections
Expositions
Position sur le marché
CV
Oeuvres de Ana Navas
Médias
À propos
Parool, 5 april 2019
Kees Keijer
De keuze van... Madelon van Schie
"Her work always surprises me and makes me smile. It is inventive, playful and authentic."
Madelon van Schie, curator
expositions
Position sur le marché
Ana Navas was born in 1984 in Quito, Ecuador, but grew up in Venezuela. She studied from 2004 to 2010 at the Academy of Fine Arts in Karlsruhe, where from 2010 to 2011 she was "Meisterschülerin" (MA) with Franz Ackermann. Between 2012 and 2014 she was a resident at De Ateliers in Amsterdam. This was followed by residencies in France, Mexico, Brazil and Colombia. Her work has been shown in solo presentations in, among others, Charco, León, (MX, 2019-2020), SCHUNCK, Heerlen (2019, NL), the Kunstruimte of De Nederlandsche Bank (2019, NL), the Staatliche Kunsthalle Baden Baden (2018, DE), in Galerie Stadt Sindelfingen (2017, DE), P ///// AKT Amsterdam (2017), CEAAC Strasbourg (2017, FR), Abra Caracas (2017, VE), Nixon, Mexico City (2017 , MX). The work of Ana Navas is included in private collections at home and abroad.
CV
Education
20 1 0 - 20 1 1 Meisterschülerin (MA), Prof. Franz Ackerman, Karlsruhe, DE
2004 - 2010 Academy of Fine Arts, Karlsruhe, DE
2009 Exchange student at the Escuela Nacional de Pintura, Mexico City, MX
2003 - 2004 Philosophy and Art History, Freie Universität Berlin, DE
Residencies
2020 Fondation Fiminco, Romainville Paris, FR
2019 Charco, León. MX
2019 SCHUNCK, Heerlen, NL
2018 FLORA Ars + Natura, Bogotá, CO
2017 Cité International des Arts, Paris, FR
2016 Goethe Institut, Salvador de Bahía, BR
2015 - 2016 Secretaría de Relaciones Exteriores, Mexico City, MX
2015 CEAAC (Centro Européen d’ Actions Artistiques Contemporaines),
Strasbourg, FR
2012 - 2014 De Ateliers, Amsterdam, NL
2010 Fondo Nacional para la Cultura y las Artes, Oaxaca, MX
Selected Solo Exhibitions
2020 Sagrada Mercancía, Santiago de Chile, CL (upcoming)
2019 Sumas y restas, Instituto Cultural de León, León, MX (duo with Kiko Pérez, curated by Manuela Moscoso)
El barro, la culebra y sus principios, Crisis Galería, Lima, PE
roll up (one's) sleeves, tegenboschvanvreden, Amsterdam, NL
13 Is A Lucky Number, SCHUNCK, Heerlen, NL
Ich traute mich, sie zurückzugeben, weil sie nicht bissfest waren, Sperling,
München, DE
Rarely True, Kunstruimte De Nederlandsche Bank, Amsterdam, NL
2018 Sich die Haare nach dem Mond schneiden, 45 CBM – Studioraum der Staatliche
Kunsthalle Baden-Baden, Baden- Baden, DE
2017 I had to think of you, Galerie Stadt Sindelfingen, Sindelfingen, DE
Placing a mirror at the entry area is a gracious way to welcome wealth in, P/////AKT, Amsterdam, NL
A fake crocodile can make you cry real tears, CEAAC, Strasbourg, FR
A fake crocodile can make you cry real tears, Abra Caracas, VE
A fake crocodile can make you cry real tears, NIXON, Mexico City, MX
2015 New Harmony (with Sara Wahl), Im Hinterzimmer, Karlsruhe, DE
Sometimes, when I am alone, I use Comic Sans, tegenboschvanvreden,
Amsterdam, NL
Ornament (?), made of feathers, string, Ride on Projects, Kalsruhe, DE
2014 I don’t care if this has been standing here for centuries, it’s ruining my Zen
Garden, Kunststiftung Baden
Württemberg, Stuttgart, DE
2012 Lobby, Project Schützenstrasse, Karlsruhe, DE
Selected Group Exhibitions
2020 Kunstverein Göttingen, DE (upcoming)
Nest, The Hague, NL (upcoming)
2019 Campamento para jóvenes naturalistas, Museo de la Ciudad de Queretaro, MX
Innate Fuel, Off-site show 15th Lyon Contemporary Art Biennale, Lyon, FR (curated by Antonin Giroud-Delorme)
PACH PAN, DiabloRosso, Panama, PA
Quality Time, PROXYCO Gallery, New York, US (curated by ERAS)
Come Closer, Kasteel Oud-Rekem, Oud-Rekem, BE
Two to Tango Two, Sperling, München, DE
At the Gym, The White House Gallery, Lovenjoel, BE (curated by tegenboschvanvreden)
El nudo, Carreras Mugica, Bilbao, ES
Yoga to go, PUTTE, Ulm, DE
2018 Justo x Bueno, Binario, Bogotá, CO
Primitivo fallido, Los 14, Mexico City, MX
Still Water. Politiken des Wassers, Hospitalhof, Stuttgart, DE
NAP2: Despise the Solid Burgher, But Drink Deep from His Flagon,
tegenboschvanvreden, Amsterdam, NL (curated by Joost Declercq and Charlotte
Crevits)
2017 Humble, Garage Rotterdam, Rotterdam, NL (curated by Heske ten Cate and Hanne
Hagenaars)
15/LOVE, De School, Amsterdam, NL
Espejo negro, elefante blanco, El Cuarto de Máquinas, Mexico City, MX
2016 Rompeflasche, Centro de Arte Contemporáneo, Quito, EC
15 años de intercambio, Galería Principal ENPEG La Esmeralda, Mexico City, MX
St:rung, Akku, Stuttgart, DE
Early Spring, tegenboschvanvreden, Amsterdam, NL
2015 ObjectsFoodRooms, Galería Proyecto Paralelo, Mexico City, MX (curated by Violeta
Horcasitas, Paola Jasso)
Velada de Santa Lucía Remix, Hamburg, DE
Salón de Jóvenes con FIA XVIII, Centro de Arte Los Galpones, Caracas, VE
Tofu Absorbs Flavor, Gallery Sabot, Cluj - Napoca, RO (a project by Daniel Jacoby
and Gerard Ortín)
2014 Eau de Cologne, Kunstverein Amsterdam, Amsterdam, NL
The hidden picture, Cobra Museum, Amstelveen, NL
Eau de Cologne, Kunstverein, Amsterdam, NL
Offspring, De Ateliers, Amsterdam, NL (cat.)
Easily Broken, tegenboschvanvreden, Amsterdam, NL
2013 Simultáneo_04, Service Garage, Amsterdam, NL
La Talallera, Cuernavaca, MX
Agentes del Arte Contemporáneo, Tijuana, MX
Left eye, right eye, Platform V8, Karlsruhe, DE (cat.)
Anthropozaenta, Helmbrechts, DE
Wood(s), Gallery Zwinger, Berlin, DE (cat.)
2012 Limbodrome, De Ateliers, Amsterdam, NL
Forumkunst, Regierungspräsidium, Karlsruhe, DE
Juvenale 2012, Schwäbisch Gmünd, DE (cat.)
Remise en Jeu, La Kunsthalle Mulhouse, FR
201 1 Kunststudenten stellen aus, Bundeskunsthalle, Bonn, DE (cat.)
Lust und Frust, former Schlosshotel Waldlust, Freudenstadt, DE (cat.)
Zweifellos – Zwischenträger, Bauhausvilla Gellertstrasse, Karlsruhe, DE
2010 3era muestra de arte Iberoamericano, Museo Diego Rivera- Anahuacalli, Centro
Cultural Espana, Mexico City, MX
Galerie Onrust, Amsterdam, NL
Top 10, Forum Würth, Basel, CH (cat.)
Artistas croatas en Venezuala, Centro Letonia, Caracas, VE (cat.)
Grants and Awards
2020 NN Art Award
2014 Fellowship of the Kunststiftung Baden-Württemberg, GE
2012 Forumkunst, Karlsruhe Region Council’s Art Grant, DE
2010 Fellowship, Landesgraduiertenfodertung Baden- Württemberg, GE
2009 Fellowship of the Kunststiftung Baden-Württemberg, DE
Publications
2020 Tiene palabras, ella. Mexico City: ESPAC Espacio de Arte Contemporaneo (in collaboration with Sarina Scheidegger)
2019 Studioraum 45 cbm, Baden-Baden: Staatliche Kunsthalle Baden-Baden, exh. cat. 2018
2017 I had to think of you / Ich musste an dich denken. Berlin: Bom dia, boa tarde, boa noite (text by Madeleine Frey)
Pense-Bete, publication on P/////AKT’s 2016 exhibition program (with a.o. Koen Brams and Stefaan Dheedene)
2016 A fake crocodile can make you cry real tears. Potsdam: Universitätsdruckerei (text by Jesús Torrivilla)
2014 Of spring, Amsterdam: De Ateliers, exh. cat., (text by Maaike Lauwaert)
2013 Left Eye, Right Eye, Maastricht: Charles Nypels Lab, Jan Van Eyck (text by Florencia Portocarrero)
Wood(s): on identification with lost causes, Berlin: Zwinger Galerie & Archive Books (text by Laurence Rickels)
2012 Juvenale 2012, Schwäbisch Gmünd: Junge Kunst Schwäbisch Gmünd, exh. cat. (text by Christoph Poetsch)
20 1 0 - 20 1 1 Meisterschülerin (MA), Prof. Franz Ackerman, Karlsruhe, DE
2004 - 2010 Academy of Fine Arts, Karlsruhe, DE
2009 Exchange student at the Escuela Nacional de Pintura, Mexico City, MX
2003 - 2004 Philosophy and Art History, Freie Universität Berlin, DE
Residencies
2020 Fondation Fiminco, Romainville Paris, FR
2019 Charco, León. MX
2019 SCHUNCK, Heerlen, NL
2018 FLORA Ars + Natura, Bogotá, CO
2017 Cité International des Arts, Paris, FR
2016 Goethe Institut, Salvador de Bahía, BR
2015 - 2016 Secretaría de Relaciones Exteriores, Mexico City, MX
2015 CEAAC (Centro Européen d’ Actions Artistiques Contemporaines),
Strasbourg, FR
2012 - 2014 De Ateliers, Amsterdam, NL
2010 Fondo Nacional para la Cultura y las Artes, Oaxaca, MX
Selected Solo Exhibitions
2020 Sagrada Mercancía, Santiago de Chile, CL (upcoming)
2019 Sumas y restas, Instituto Cultural de León, León, MX (duo with Kiko Pérez, curated by Manuela Moscoso)
El barro, la culebra y sus principios, Crisis Galería, Lima, PE
roll up (one's) sleeves, tegenboschvanvreden, Amsterdam, NL
13 Is A Lucky Number, SCHUNCK, Heerlen, NL
Ich traute mich, sie zurückzugeben, weil sie nicht bissfest waren, Sperling,
München, DE
Rarely True, Kunstruimte De Nederlandsche Bank, Amsterdam, NL
2018 Sich die Haare nach dem Mond schneiden, 45 CBM – Studioraum der Staatliche
Kunsthalle Baden-Baden, Baden- Baden, DE
2017 I had to think of you, Galerie Stadt Sindelfingen, Sindelfingen, DE
Placing a mirror at the entry area is a gracious way to welcome wealth in, P/////AKT, Amsterdam, NL
A fake crocodile can make you cry real tears, CEAAC, Strasbourg, FR
A fake crocodile can make you cry real tears, Abra Caracas, VE
A fake crocodile can make you cry real tears, NIXON, Mexico City, MX
2015 New Harmony (with Sara Wahl), Im Hinterzimmer, Karlsruhe, DE
Sometimes, when I am alone, I use Comic Sans, tegenboschvanvreden,
Amsterdam, NL
Ornament (?), made of feathers, string, Ride on Projects, Kalsruhe, DE
2014 I don’t care if this has been standing here for centuries, it’s ruining my Zen
Garden, Kunststiftung Baden
Württemberg, Stuttgart, DE
2012 Lobby, Project Schützenstrasse, Karlsruhe, DE
Selected Group Exhibitions
2020 Kunstverein Göttingen, DE (upcoming)
Nest, The Hague, NL (upcoming)
2019 Campamento para jóvenes naturalistas, Museo de la Ciudad de Queretaro, MX
Innate Fuel, Off-site show 15th Lyon Contemporary Art Biennale, Lyon, FR (curated by Antonin Giroud-Delorme)
PACH PAN, DiabloRosso, Panama, PA
Quality Time, PROXYCO Gallery, New York, US (curated by ERAS)
Come Closer, Kasteel Oud-Rekem, Oud-Rekem, BE
Two to Tango Two, Sperling, München, DE
At the Gym, The White House Gallery, Lovenjoel, BE (curated by tegenboschvanvreden)
El nudo, Carreras Mugica, Bilbao, ES
Yoga to go, PUTTE, Ulm, DE
2018 Justo x Bueno, Binario, Bogotá, CO
Primitivo fallido, Los 14, Mexico City, MX
Still Water. Politiken des Wassers, Hospitalhof, Stuttgart, DE
NAP2: Despise the Solid Burgher, But Drink Deep from His Flagon,
tegenboschvanvreden, Amsterdam, NL (curated by Joost Declercq and Charlotte
Crevits)
2017 Humble, Garage Rotterdam, Rotterdam, NL (curated by Heske ten Cate and Hanne
Hagenaars)
15/LOVE, De School, Amsterdam, NL
Espejo negro, elefante blanco, El Cuarto de Máquinas, Mexico City, MX
2016 Rompeflasche, Centro de Arte Contemporáneo, Quito, EC
15 años de intercambio, Galería Principal ENPEG La Esmeralda, Mexico City, MX
St:rung, Akku, Stuttgart, DE
Early Spring, tegenboschvanvreden, Amsterdam, NL
2015 ObjectsFoodRooms, Galería Proyecto Paralelo, Mexico City, MX (curated by Violeta
Horcasitas, Paola Jasso)
Velada de Santa Lucía Remix, Hamburg, DE
Salón de Jóvenes con FIA XVIII, Centro de Arte Los Galpones, Caracas, VE
Tofu Absorbs Flavor, Gallery Sabot, Cluj - Napoca, RO (a project by Daniel Jacoby
and Gerard Ortín)
2014 Eau de Cologne, Kunstverein Amsterdam, Amsterdam, NL
The hidden picture, Cobra Museum, Amstelveen, NL
Eau de Cologne, Kunstverein, Amsterdam, NL
Offspring, De Ateliers, Amsterdam, NL (cat.)
Easily Broken, tegenboschvanvreden, Amsterdam, NL
2013 Simultáneo_04, Service Garage, Amsterdam, NL
La Talallera, Cuernavaca, MX
Agentes del Arte Contemporáneo, Tijuana, MX
Left eye, right eye, Platform V8, Karlsruhe, DE (cat.)
Anthropozaenta, Helmbrechts, DE
Wood(s), Gallery Zwinger, Berlin, DE (cat.)
2012 Limbodrome, De Ateliers, Amsterdam, NL
Forumkunst, Regierungspräsidium, Karlsruhe, DE
Juvenale 2012, Schwäbisch Gmünd, DE (cat.)
Remise en Jeu, La Kunsthalle Mulhouse, FR
201 1 Kunststudenten stellen aus, Bundeskunsthalle, Bonn, DE (cat.)
Lust und Frust, former Schlosshotel Waldlust, Freudenstadt, DE (cat.)
Zweifellos – Zwischenträger, Bauhausvilla Gellertstrasse, Karlsruhe, DE
2010 3era muestra de arte Iberoamericano, Museo Diego Rivera- Anahuacalli, Centro
Cultural Espana, Mexico City, MX
Galerie Onrust, Amsterdam, NL
Top 10, Forum Würth, Basel, CH (cat.)
Artistas croatas en Venezuala, Centro Letonia, Caracas, VE (cat.)
Grants and Awards
2020 NN Art Award
2014 Fellowship of the Kunststiftung Baden-Württemberg, GE
2012 Forumkunst, Karlsruhe Region Council’s Art Grant, DE
2010 Fellowship, Landesgraduiertenfodertung Baden- Württemberg, GE
2009 Fellowship of the Kunststiftung Baden-Württemberg, DE
Publications
2020 Tiene palabras, ella. Mexico City: ESPAC Espacio de Arte Contemporaneo (in collaboration with Sarina Scheidegger)
2019 Studioraum 45 cbm, Baden-Baden: Staatliche Kunsthalle Baden-Baden, exh. cat. 2018
2017 I had to think of you / Ich musste an dich denken. Berlin: Bom dia, boa tarde, boa noite (text by Madeleine Frey)
Pense-Bete, publication on P/////AKT’s 2016 exhibition program (with a.o. Koen Brams and Stefaan Dheedene)
2016 A fake crocodile can make you cry real tears. Potsdam: Universitätsdruckerei (text by Jesús Torrivilla)
2014 Of spring, Amsterdam: De Ateliers, exh. cat., (text by Maaike Lauwaert)
2013 Left Eye, Right Eye, Maastricht: Charles Nypels Lab, Jan Van Eyck (text by Florencia Portocarrero)
Wood(s): on identification with lost causes, Berlin: Zwinger Galerie & Archive Books (text by Laurence Rickels)
2012 Juvenale 2012, Schwäbisch Gmünd: Junge Kunst Schwäbisch Gmünd, exh. cat. (text by Christoph Poetsch)
Abonnement gratuit au magazine
Articles, interviews, spectacles et événements. Livré dans votre boîte aux lettres chaque semaine.