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The exhibitions and installations by Saskia Noor van Imhoff (1982) do not have regular titles or names. Van Imhoffs exhibitions come with a combination of signs and numbers such as #+14.00, #+21.00 and #+23.00. Titles that look like a code from a registration system, and that is exactly what they are. The numbers before the dot represent the number of exhibitions Van Imhoff has had and behind the dot signify a work in the exhibition.
Registration and order in order to assign meaning to something is the leitmotiv of Van Imhoff's work. Her exhibitions, on the other hand, are very associative and offer the viewer little support. Van Imhoff often works with plexiglass panels and makes use of utensils such as clothing and cosmetics or casts thereof, but also of an old ATM. These are studies into how museums, visitors and collectors keep art alive by writing about it. Why do we archive and organize things? What status and value do we assign to them? In the case of art, Van Imhoff emphatically involves the ecosystem of the art world in her answers to these questions.
The answer lies partly in the back-end of art institutions, such as the depot, the signposting of a museum, and the climate installations. This is also evident from the title of her artist's book: #33.001 Packaging must not be damaged. Observe the best before date (2018). For her exhibition at the Amsterdam Hermitage, she incorporated a number of works of art that ABN AMRO bank had disposed of in a mountain of salt, among other things. For Van Imhoff, the meaning of art is not to be found in the works of art themselves, but in the way in which they are passed on; the way in which they are preserved, archived and shown, purchased and disposed of.
Registration and order in order to assign meaning to something is the leitmotiv of Van Imhoff's work. Her exhibitions, on the other hand, are very associative and offer the viewer little support. Van Imhoff often works with plexiglass panels and makes use of utensils such as clothing and cosmetics or casts thereof, but also of an old ATM. These are studies into how museums, visitors and collectors keep art alive by writing about it. Why do we archive and organize things? What status and value do we assign to them? In the case of art, Van Imhoff emphatically involves the ecosystem of the art world in her answers to these questions.
The answer lies partly in the back-end of art institutions, such as the depot, the signposting of a museum, and the climate installations. This is also evident from the title of her artist's book: #33.001 Packaging must not be damaged. Observe the best before date (2018). For her exhibition at the Amsterdam Hermitage, she incorporated a number of works of art that ABN AMRO bank had disposed of in a mountain of salt, among other things. For Van Imhoff, the meaning of art is not to be found in the works of art themselves, but in the way in which they are passed on; the way in which they are preserved, archived and shown, purchased and disposed of.
Oeuvres d'art
Articles
Médias
Points forts
Recommandations
Collections
Expositions
Position sur le marché
CV
Oeuvres de Saskia Noor van Imhoff
Points forts
expositions
Dans la collection corporative:
ING Collection
ABN AMRO Art Collection
De Nederlandsche Bank
Rabobank
AkzoNobel
Verbeke Foundation, Kemzeke (BE)
AMC
Provincie Utrecht
LUMC
Position sur le marché
Saskia Noor Van Imhoff (1982) lives and works in Amsterdam. Van Imhoff completed the Rietveld Academy in 2008 and was a resident at De Ateliers (Amsterdam, 2011-2012) and the Kunstlerhaus Bethanien (Berlin, 2013). Her breakthrough followed in 2016 with the exhibition #+21.00 at the De Appel art centre. At the same time she had an exhibition at the Stedelijk Museum Amsterdam, #+23.00. In 2017 she won the ABN AMRO Art Prize, and was shortlisted for the Prix de Rome. The jury praised Van Imhoff for her: "uncompromising and intelligent way in which she works out her formal investigations and the sensitivity of her use of materials". She has also exhibited at the Hermitage Amsterdam (2018), and her work was shown at Fiac Paris, Unseen and Frieze and was included in group exhibitions in Japan, the US, France, Russia, Austria and other countries.
CV
Born 1982 in Mission (CA)
Lives and works in Amsterdam (NL)
Education
2013-2014 Künsterlerhaus Bethanien, Berlin (DE)
2010-2012 De Ateliers, Amsterdam (NL)
2004-2008 BA Fine Art, Gerrit Rietveld Academie, Amsterdam (NL)
Additional studies; Architecture ’05, Jewelry ’06, Gerrit Rietveld Academie, Amsterdam (NL)
Awards
2017 Prix de Rome (NL) (shortlist)
ABN Amro Art Award (NL)
2015 Long List, Berlin Art Price (DE)
2012 Ruisdael-Stipendium (DE)
Walter Tielmann Prize for Book Design (# +02.02) (DE)
2008 Gerrit Rietveld Academie Prize (NL)
Selected Solo Exhibitions
2020 Four floating patches, secondary shoots, GRIMM, Amsterdam (NL)
2019 #+40.00, GRIMM, New York, NY (US)
2018 #+32.00, ABN Amro price Hermitage, Amsterdam (NL)
#+34.00, ABN Amro price, Circle, Amsterdam (NL)
2017 #+28.00, Galerie Fons Welters, Amsterdam (NL)
2016 #+23.00, Stedelijk Museum, Amsterdam (NL)
#+21.00, De Appel, Amsterdam (NL)
2014 #+16.00, Künsterlerhaus Bethanien, Berlin (DE)
2013 #+14.00, Galerie Fons Welters, Amsterdam (NL)
#+12.00, Ruisdael-Stipendium, Bad-Bentheim (DE)
#+09.00, Rabobank, Noord Veluwe, commission, Nunspeet (NL)
2011 #+02.00, Jeanine Hofland Contemporary Art, Amsterdam (NL)
#+01.00, Art(s) gallery, Amsterdam (NL)
2009 #-05.00, P/////akt, Amsterdam (NL)
Selected Group Exhibitions
2019 Delirious, Lustwarande (NL)
A glass is not a reference for an amount, Ghent (BE)
2018 In-house exhibition, curated by Jorg Grimm, Manifesta, Amsterdam (NL)
Even if it's Jazz or the Quiet Storm, Nest, The Hague (NL)
Victoria Gallery, Samara (RU)
Arnulf Rainer Museum, Baden (AT)
Smena, Kazan (RU)
Extension.NL: Model for Consensus, Triumph Gallery, Moscow (RU)
Prix de Rome, Kunsthal, Rotterdam (NL)
Rendez Vous, Frans Hals Museum, Haarlem (NL)
2017 In het licht van De Stijl, Galerie LUMC, Leiden (NL)
ARTZUID, Amsterdam (NL)
Morphogenesis, Galería Francisco Fino, Lisbon (PT)
Identify your limitations, acknowledge your periphery, VITRINE, Basel (CH)
2016 THE EIGHTH CLIMATE (WHAT DOES ART DO?), the 11th Gwangju Biennial (KP)
Museum On/Off, Centre Pompidou, Paris (FR)
The Future is the Future, Thomas Bernards Gallery, Paris (FR)
Bonne Reijn & Saskia Noor van Imhoff, De Appel, Amsterdam (NL)
Aanwinsten 2016, De Nederlandsche Bank, Amsterdam (NL)
Architropismes, Moulins de Paillards (FR)
H Y P E R C O N N E C T E D, MMOMA, Moscow Biennial (RU)
FIAC, Thomas Bernards gallery, Paris (FR)
Per-spectief, Zuiderzeemuseum, Enkhuizen (NL)
2014 The small i, Galerie Gabriele Senn, Vienna (AT)
The Spectrum of Ethereal, Trafó, House of Contemporary Arts, Galéria, Budapest (HU)
UNSEEN, Fons Welters, Amsterdam (NL)
AFFINITIES #1, Fons Welters, Amsterdam (NL)
2013 languageleaps, Gallery Plan B, Berlin (DE)
LESS IS MORE, MORE OR LESS, TENT, Rotterdam (NL)
AS EVERYTHING MOVES, Node, Berlin (DE)
UNSEEN, Fons Welters, Amsterdam (NL)
#+10.00, Book launch, San Serriffe, Amsterdam (NL)
De Volkskrant Beeldende Kunst Prijs, Stedelijk Museum Schiedam (NL)
2012 Psssssssst Secret Postcards, Jan van Eyck Academie, Maastricht (NL)
Department of Black Mountain College show, W139, Amsterdam (NL)
Intentional stance, de Ateliers, Amsterdam (NL)
Three Artists Walk into a Bar, De Appel, Amsterdam (NL)
The space in between, P/////AKT, Amsterdam (NL)
2011 KADS, Amsterdam (NL)
2010 A Group Show, Croxapox, Ghent (BE)
The Smooth and the Striated, Huize Frankendael, Amsterdam (NL)
The Smooth and the Striated, Nieuw Dakota, Amsterdam (NL)
The Keys, Huize Frankendael, Amsterdam (NL)
2009 Epson Fotofestival Naarden, Naarden Vesting (NL)
2008 G58-G59 MASS-AKKER, Verbeke Foundation, Kemzeke (BE)
Gerrit Rietveld Academie, Amsterdam (NL)
2007 Afwezig, Hotel Maria kapel, Hoorn (NL)
2006 Van der Madeweg, Amsterdam (NL)
Commissioned Work
2019 Textielmuseum, Tilburg (NL)
2018 De Verrijking, Leidsche Rijn Center, Utrecht (NL)
EKARD collection
Selected Collections
ABN Amro Art Collection, Amsterdam (NL)
Akzo Nobel, Amsterdam (NL)
De Nederlandsche Bank, Amsterdam (NL)
Huize Frankendael, Amsterdam (NL)
ING, Amsterdam (NL)
Leids Universitair Medisch Centrum, Leiden (NL)
Museum Voorlinden (NL)
Rabobank, Nunspeet (NL)
Stedelijk Museum, Amsterdam (NL)
Verbeke Foundation, Kemzeke (BE)
Lives and works in Amsterdam (NL)
Education
2013-2014 Künsterlerhaus Bethanien, Berlin (DE)
2010-2012 De Ateliers, Amsterdam (NL)
2004-2008 BA Fine Art, Gerrit Rietveld Academie, Amsterdam (NL)
Additional studies; Architecture ’05, Jewelry ’06, Gerrit Rietveld Academie, Amsterdam (NL)
Awards
2017 Prix de Rome (NL) (shortlist)
ABN Amro Art Award (NL)
2015 Long List, Berlin Art Price (DE)
2012 Ruisdael-Stipendium (DE)
Walter Tielmann Prize for Book Design (# +02.02) (DE)
2008 Gerrit Rietveld Academie Prize (NL)
Selected Solo Exhibitions
2020 Four floating patches, secondary shoots, GRIMM, Amsterdam (NL)
2019 #+40.00, GRIMM, New York, NY (US)
2018 #+32.00, ABN Amro price Hermitage, Amsterdam (NL)
#+34.00, ABN Amro price, Circle, Amsterdam (NL)
2017 #+28.00, Galerie Fons Welters, Amsterdam (NL)
2016 #+23.00, Stedelijk Museum, Amsterdam (NL)
#+21.00, De Appel, Amsterdam (NL)
2014 #+16.00, Künsterlerhaus Bethanien, Berlin (DE)
2013 #+14.00, Galerie Fons Welters, Amsterdam (NL)
#+12.00, Ruisdael-Stipendium, Bad-Bentheim (DE)
#+09.00, Rabobank, Noord Veluwe, commission, Nunspeet (NL)
2011 #+02.00, Jeanine Hofland Contemporary Art, Amsterdam (NL)
#+01.00, Art(s) gallery, Amsterdam (NL)
2009 #-05.00, P/////akt, Amsterdam (NL)
Selected Group Exhibitions
2019 Delirious, Lustwarande (NL)
A glass is not a reference for an amount, Ghent (BE)
2018 In-house exhibition, curated by Jorg Grimm, Manifesta, Amsterdam (NL)
Even if it's Jazz or the Quiet Storm, Nest, The Hague (NL)
Victoria Gallery, Samara (RU)
Arnulf Rainer Museum, Baden (AT)
Smena, Kazan (RU)
Extension.NL: Model for Consensus, Triumph Gallery, Moscow (RU)
Prix de Rome, Kunsthal, Rotterdam (NL)
Rendez Vous, Frans Hals Museum, Haarlem (NL)
2017 In het licht van De Stijl, Galerie LUMC, Leiden (NL)
ARTZUID, Amsterdam (NL)
Morphogenesis, Galería Francisco Fino, Lisbon (PT)
Identify your limitations, acknowledge your periphery, VITRINE, Basel (CH)
2016 THE EIGHTH CLIMATE (WHAT DOES ART DO?), the 11th Gwangju Biennial (KP)
Museum On/Off, Centre Pompidou, Paris (FR)
The Future is the Future, Thomas Bernards Gallery, Paris (FR)
Bonne Reijn & Saskia Noor van Imhoff, De Appel, Amsterdam (NL)
Aanwinsten 2016, De Nederlandsche Bank, Amsterdam (NL)
Architropismes, Moulins de Paillards (FR)
H Y P E R C O N N E C T E D, MMOMA, Moscow Biennial (RU)
FIAC, Thomas Bernards gallery, Paris (FR)
Per-spectief, Zuiderzeemuseum, Enkhuizen (NL)
2014 The small i, Galerie Gabriele Senn, Vienna (AT)
The Spectrum of Ethereal, Trafó, House of Contemporary Arts, Galéria, Budapest (HU)
UNSEEN, Fons Welters, Amsterdam (NL)
AFFINITIES #1, Fons Welters, Amsterdam (NL)
2013 languageleaps, Gallery Plan B, Berlin (DE)
LESS IS MORE, MORE OR LESS, TENT, Rotterdam (NL)
AS EVERYTHING MOVES, Node, Berlin (DE)
UNSEEN, Fons Welters, Amsterdam (NL)
#+10.00, Book launch, San Serriffe, Amsterdam (NL)
De Volkskrant Beeldende Kunst Prijs, Stedelijk Museum Schiedam (NL)
2012 Psssssssst Secret Postcards, Jan van Eyck Academie, Maastricht (NL)
Department of Black Mountain College show, W139, Amsterdam (NL)
Intentional stance, de Ateliers, Amsterdam (NL)
Three Artists Walk into a Bar, De Appel, Amsterdam (NL)
The space in between, P/////AKT, Amsterdam (NL)
2011 KADS, Amsterdam (NL)
2010 A Group Show, Croxapox, Ghent (BE)
The Smooth and the Striated, Huize Frankendael, Amsterdam (NL)
The Smooth and the Striated, Nieuw Dakota, Amsterdam (NL)
The Keys, Huize Frankendael, Amsterdam (NL)
2009 Epson Fotofestival Naarden, Naarden Vesting (NL)
2008 G58-G59 MASS-AKKER, Verbeke Foundation, Kemzeke (BE)
Gerrit Rietveld Academie, Amsterdam (NL)
2007 Afwezig, Hotel Maria kapel, Hoorn (NL)
2006 Van der Madeweg, Amsterdam (NL)
Commissioned Work
2019 Textielmuseum, Tilburg (NL)
2018 De Verrijking, Leidsche Rijn Center, Utrecht (NL)
EKARD collection
Selected Collections
ABN Amro Art Collection, Amsterdam (NL)
Akzo Nobel, Amsterdam (NL)
De Nederlandsche Bank, Amsterdam (NL)
Huize Frankendael, Amsterdam (NL)
ING, Amsterdam (NL)
Leids Universitair Medisch Centrum, Leiden (NL)
Museum Voorlinden (NL)
Rabobank, Nunspeet (NL)
Stedelijk Museum, Amsterdam (NL)
Verbeke Foundation, Kemzeke (BE)
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