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Nieke Lemmens 1963
Vit à Heerlen, NL. Travaille dans Heerlen, NL.
Représenté par:
Marieke Severens Gallery
Nieke Lemmens strives for a simple, painterly language. She feels
connected to tradition, which she simultaneously questions in her work. Thus,
she takes the work of Donald Judd, Piero della Francesca and Impressionism, among others, as
research area to expound on their meaning in our time. .
She continues to marvel at what paint on paper is capable of. This ability is
explored, stretched and challenged again and again. In recent years, she has been
fascinated by the connection of painting with space. Consequently, the
two-dimensional work often grows into a spatial state of being. There
arise temporary installations in which the viewer can dwell. Colour and the arrangement
of colour remain a constant here.
The whole process of thinking, researching, making-as well as rubbing
the casein paint and making the frames herself-to placing in a
space, is part of her work. The work on display is only a brief, tangible
moment in the adventure she has embarked on, the final destination of which is never
given.
connected to tradition, which she simultaneously questions in her work. Thus,
she takes the work of Donald Judd, Piero della Francesca and Impressionism, among others, as
research area to expound on their meaning in our time. .
She continues to marvel at what paint on paper is capable of. This ability is
explored, stretched and challenged again and again. In recent years, she has been
fascinated by the connection of painting with space. Consequently, the
two-dimensional work often grows into a spatial state of being. There
arise temporary installations in which the viewer can dwell. Colour and the arrangement
of colour remain a constant here.
The whole process of thinking, researching, making-as well as rubbing
the casein paint and making the frames herself-to placing in a
space, is part of her work. The work on display is only a brief, tangible
moment in the adventure she has embarked on, the final destination of which is never
given.
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EDUCATION
1986–1988: Academy of Fine Arts, Maastricht
1981-1986: Fontys Hogeschool, Sittard
NOMINATIONS
1995 – ‘Prix de Rome’, Amsterdam
1996 – ‘Koninklijke prijs voor vrije schilderkunst’, Amsterdam
1996 – ‘Europaprijs voor schilderkunst’, Oostende
WORK IN COLLECTION
De Nederlandsche Bank, Amsterdam / Het Nieuwe Domein, Sittard / Rabobank, Utrecht / Schunck, Heerlen / Nutsbedrijven Heerlen / DSM, Heerlen / Collection Jo and Marlies Eyck, Wijlre / Bonnefantenmuseum, Maastricht
TEACHING
2014–2020: Setting up and coordinating Vooropleiding Kunstacademie (Parkstad department)
2014, ongoing – Teaching and supervising young artists
SIDE ACTIVITIES
2021, ongoing – Board member Greylight Projects, Heerlen
1986–1988: Academy of Fine Arts, Maastricht
1981-1986: Fontys Hogeschool, Sittard
NOMINATIONS
1995 – ‘Prix de Rome’, Amsterdam
1996 – ‘Koninklijke prijs voor vrije schilderkunst’, Amsterdam
1996 – ‘Europaprijs voor schilderkunst’, Oostende
WORK IN COLLECTION
De Nederlandsche Bank, Amsterdam / Het Nieuwe Domein, Sittard / Rabobank, Utrecht / Schunck, Heerlen / Nutsbedrijven Heerlen / DSM, Heerlen / Collection Jo and Marlies Eyck, Wijlre / Bonnefantenmuseum, Maastricht
TEACHING
2014–2020: Setting up and coordinating Vooropleiding Kunstacademie (Parkstad department)
2014, ongoing – Teaching and supervising young artists
SIDE ACTIVITIES
2021, ongoing – Board member Greylight Projects, Heerlen
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