Connexion
S'inscrire
FR
«Seductively beautiful in the use of color, the diversity of form and the choice of materials while, simultaneously, being conceptually sophisticated in terms of subject-matters and photograph-ic processes: the starting points for the artist Douglas Mandry (b. 1989 in Geneva), who has moved to Zurich in 2013, are real world phenomena and experimenting with various photographic techniques. Oscillating between historical analogue and con-temporary digital imaging methods, the artist creates his very own pictorial worlds. Observations in nature and the examination of current issues merge in his work with his reflections regarding his chosen medium photography - documentation with abstraction, reasoning with sensuality. Conceptual rigor and experimental liberties are well balanced in Douglas Mandry’s work, and the autonomous nature of photographic processes bears serendipitous results: the unforeseen meets intention and idea. This way, complex issues receive poetic allure. Each work retains a productive riddle that encourages us to question our perception of the reality of the world and the reality of images.»
By Nadine Olonetzky
Douglas Mandry about the series «Monuments»:
«The serie «Monuments» starts from a research on mel-ting glaciers in Switzerland. Collecting material, natural and man-made related to the attempts of man to stop a process that he himself contributed to start, I document various periods of time and typologies of images to create an image constellation. The idea of time and evolution, both in photographic technologies and natural phenomenons keep on converging in my work.»
About the series "MONUMENTS"
The on-going project «Monuments» reflects a relationship between techno-logical evolution and climate change. Fascinated by the juxtaposition of the natural and the mechanical, Douglas Mandry travelled deep into the Swiss Alps, capturing blocks of ice protected by man-made, geotextile fabrics. Those «glacier blankets» are attempts to slow down the unavoidable process of disappearance.
From the fine ice blocks, Mandry prints photograms by replacing the photo-graphic negative by the ice during the development process. By doing so, the ice melts and, the light shines through directly to the sensitive paper, creating an almost cosmic abstraction, condensed and visible view of the disappearing process. The result is printed onto glass plates through an industrial printing technique, sending the melting ice back to a frozen, transparent status – possibly eternal this time.
Meanwhile, collecting amateur found images of glaciers from the early 20th century, Mandry transferred them onto actual pieces of geotextile, which have themselves been brought down from the alps after a season on the ice. Through the antique process of lithography (Steindruck), a double-exposure phenomenon happens: the images, fading memories of golden age in Switzerland’s tourism, become part of the nowadays technological attempts to preserve a past which no longer exists.
As result, an effect of collage where time and space are consciously and playfully shifted by the artist, a product of the digital age where images are reproduced endlessly in virtual formats. Mandry questions materiality.
By using physical materials and printing methods, he examines notions of tangibility and permanence. In constant dialogue with his means of making, subject and surroundings, Mandry opens up new ways of engaging with the world around us.
By Nadine Olonetzky
Douglas Mandry about the series «Monuments»:
«The serie «Monuments» starts from a research on mel-ting glaciers in Switzerland. Collecting material, natural and man-made related to the attempts of man to stop a process that he himself contributed to start, I document various periods of time and typologies of images to create an image constellation. The idea of time and evolution, both in photographic technologies and natural phenomenons keep on converging in my work.»
About the series "MONUMENTS"
The on-going project «Monuments» reflects a relationship between techno-logical evolution and climate change. Fascinated by the juxtaposition of the natural and the mechanical, Douglas Mandry travelled deep into the Swiss Alps, capturing blocks of ice protected by man-made, geotextile fabrics. Those «glacier blankets» are attempts to slow down the unavoidable process of disappearance.
From the fine ice blocks, Mandry prints photograms by replacing the photo-graphic negative by the ice during the development process. By doing so, the ice melts and, the light shines through directly to the sensitive paper, creating an almost cosmic abstraction, condensed and visible view of the disappearing process. The result is printed onto glass plates through an industrial printing technique, sending the melting ice back to a frozen, transparent status – possibly eternal this time.
Meanwhile, collecting amateur found images of glaciers from the early 20th century, Mandry transferred them onto actual pieces of geotextile, which have themselves been brought down from the alps after a season on the ice. Through the antique process of lithography (Steindruck), a double-exposure phenomenon happens: the images, fading memories of golden age in Switzerland’s tourism, become part of the nowadays technological attempts to preserve a past which no longer exists.
As result, an effect of collage where time and space are consciously and playfully shifted by the artist, a product of the digital age where images are reproduced endlessly in virtual formats. Mandry questions materiality.
By using physical materials and printing methods, he examines notions of tangibility and permanence. In constant dialogue with his means of making, subject and surroundings, Mandry opens up new ways of engaging with the world around us.
Oeuvres d'art
Articles
Médias
Points forts
Recommandations
Collections
Expositions
Position sur le marché
CV
Oeuvres de Douglas Mandry
Médias
Douglas Mandry in the Swiss Alps - Taking photograms of melting ice with a self made large format camera
Points forts
expositions
Position sur le marché
Douglas Mandry (*1989, CH) is an artist who lives and works in Zurich. He gained a Bachelors in both Visual Communication and Photography from the University of Art and Design ECAL in Lausanne. Since graduating Mandry has been nominated for numerous awards including the Paul Huf Award, Swiss Federal Design Award and got awarded as «Foam Talent 2020».
His work has been shown in international venues including Photo London, Photo Basel, Unseen Photo Fair, Foam Museum Amsterdam or Kunstmuseum Wien. Bildhalle dedicated two solo shows in 2016 and 2018 to his work, a next solo show is planned in November 2020.
Mandry’s practice is a direct response to the digitalization of photography and the technological accelerations that came along with it. Always shooting his initial images in analogue, all of Mandry’s interventions in the image are done by hand, through the application of different historic photographic processes or by physically cutting and pasting.
His work has been shown in international venues including Photo London, Photo Basel, Unseen Photo Fair, Foam Museum Amsterdam or Kunstmuseum Wien. Bildhalle dedicated two solo shows in 2016 and 2018 to his work, a next solo show is planned in November 2020.
Mandry’s practice is a direct response to the digitalization of photography and the technological accelerations that came along with it. Always shooting his initial images in analogue, all of Mandry’s interventions in the image are done by hand, through the application of different historic photographic processes or by physically cutting and pasting.
CV
Exhibitions
2023
• Photo Basel Fair, group show, Basel
• «Coming to Light», Bildhalle, Amsterdam (NL)
• Show Douglas Mandry, Bildhalle, Amsterdam (NL)
• «Frozen Light», Groupshow, Forum Paracelsus St. Moritz-Bad, Gallery Bildhalle (CH)
2022
• «Château Hornegg au lac», Groupshow, Zurich (CH)
• «Gravity Flow», Muottaz Muragl peak (CH)
• «Gravity Flow», Shanghai Design Fair (CN)
• «Changing Ecosystems», Biennale für aktuelle Fotografie, Heidelberg (DE)
• Unseen Photo Fair, group show, Bildhalle, Amsterdam (NL)
• «Engadine - They keep on calling», solo exhibition, Bildhalle, St. Moritz & Zurich (CH)
• «Known and Strange», photographs from the National Library Collection, Victoria and Albert Museum, London (UK)
• «On Photography: New Perspectives», VFO Editions, Zürich (CH)
• «From Where I Stand», Biennale für aktuelle Fotografie, Heidelberg (DE)
• «Monuments III: Gravity Flow», Muottaz Muragl, Engadine (CH)
• «Monuments III: Gravity Flow», West Bund, Shanghaï (CN)
2021
• Zurich Art Grant, group show, Helmhaus, Zurich (CH)
• Paris Photo, group show, Bildhalle, Paris (FR)
• Photo London, group show, Bildhalle, London (UK)
• Art Rotterdam, group show, Bildhalle, Rotterdam (NL)
• «Monuments», solo exhibition, Bildhalle, Amsterdam (NL)
• «Douglas Mandry at Capital C», solo exhibition hosted by Bildhalle and Amsterdam Art, Capital C, Amsterdam (NL)
• «Rethinking landscape», group exhibition, National Museum Luxembourg (LU)
• «A Brief Crack of Light», solo exhibition, Galerie Binome, Paris (FR)
2020
• «A Brief Crack of Light», solo exhibition, Bildhalle, Zurich (CH)
• Photo Basel/Berlin, group show, Berlin (DE)
• Photo London, group show, digital, Bildhalle
• «Handle with care», Casa Serodine, Ascona (CH)
• «On Earth - Imagining, Technology and the Natural World», group show, Foam Museum, Amsterdam and Lieu Unique, Nantes (NL)
• «Foam Talent», group show, touring exhibition, Paris, Amsterdam, Paris, Berlin
• «Nach uns die Sintflut», group show, Kunsthaus Wien (AT)
2019
• Approche Paris (FR)
• Unseen Photo Fair, Amsterdam (NL)
• European photo festival «Circulation 2019», Paris (FR)
• «When the Air Becomes Electric», Centre de la Photo-
graphie Genève (CH)
2018
• «Equivalences», solo exhibition, Bildhalle, Zurich (CH)
2017
• «The Sky Seemed Not A Sky» Artnivo Gallery, Istanbul (TR)
• «DNB Acquisitions», Dutch National Bank acquisitions (NL)
• Solo exhibition, Unseen Photo Fair, Amsterdam (NL)
Collections
• Art collection ABN AMRO Bank
• Art collection De Nederlandsche Bank
• Art Collection Stadt Winterthur
• Art collection Kanton Zürich
• Art collection Swiss Post
• Art collection Swiss Re
• Art collection Zürcher Kantonalbank
• Art collection Credit Suisse
• Various private collections
Awards
2021
Nomination Zurich Art Grand
2019
• FOAM Talent 2020
• Prix Pictet, nominated
2016
• Paul Huf Award, Amsterdam, nominated, 2015
• Prix de la Relève Photographique,
Pro Helvetia, swiss council for culture
2015
• Kunst Zürich Förderpreis 2015
• Paul Huf Award 2015, Amsterdam, nominated
• Swiss Federal Design Awards 2015, nominated
• Swiss Design Awards 2015 catalogue by Jonathan
Hares
• Fotopub Festival exhibition catalogue
Monthly Photography, South Corea, 8 pages interview and portfolio
2014
• EWZ Selection 2014, shortlisted
• Prix Photoforum Pasqu’Art, Biel
• ArtSlant Prize, awarded of an exhibition in Chicago
• Prix Voies–Off 2014, Rencontres d’Arles, shortlisted, Mention du jury
Publications
2018
• Equivalences, monograph, RVB Books
• Foam Magazine #49 »Back to the Future«
10 pages portfolio and essay by Mirjam Kooiman
2017
• Slices #1 curated by Sandrine Macé Krabal
& Julie Joliat
2023
• Photo Basel Fair, group show, Basel
• «Coming to Light», Bildhalle, Amsterdam (NL)
• Show Douglas Mandry, Bildhalle, Amsterdam (NL)
• «Frozen Light», Groupshow, Forum Paracelsus St. Moritz-Bad, Gallery Bildhalle (CH)
2022
• «Château Hornegg au lac», Groupshow, Zurich (CH)
• «Gravity Flow», Muottaz Muragl peak (CH)
• «Gravity Flow», Shanghai Design Fair (CN)
• «Changing Ecosystems», Biennale für aktuelle Fotografie, Heidelberg (DE)
• Unseen Photo Fair, group show, Bildhalle, Amsterdam (NL)
• «Engadine - They keep on calling», solo exhibition, Bildhalle, St. Moritz & Zurich (CH)
• «Known and Strange», photographs from the National Library Collection, Victoria and Albert Museum, London (UK)
• «On Photography: New Perspectives», VFO Editions, Zürich (CH)
• «From Where I Stand», Biennale für aktuelle Fotografie, Heidelberg (DE)
• «Monuments III: Gravity Flow», Muottaz Muragl, Engadine (CH)
• «Monuments III: Gravity Flow», West Bund, Shanghaï (CN)
2021
• Zurich Art Grant, group show, Helmhaus, Zurich (CH)
• Paris Photo, group show, Bildhalle, Paris (FR)
• Photo London, group show, Bildhalle, London (UK)
• Art Rotterdam, group show, Bildhalle, Rotterdam (NL)
• «Monuments», solo exhibition, Bildhalle, Amsterdam (NL)
• «Douglas Mandry at Capital C», solo exhibition hosted by Bildhalle and Amsterdam Art, Capital C, Amsterdam (NL)
• «Rethinking landscape», group exhibition, National Museum Luxembourg (LU)
• «A Brief Crack of Light», solo exhibition, Galerie Binome, Paris (FR)
2020
• «A Brief Crack of Light», solo exhibition, Bildhalle, Zurich (CH)
• Photo Basel/Berlin, group show, Berlin (DE)
• Photo London, group show, digital, Bildhalle
• «Handle with care», Casa Serodine, Ascona (CH)
• «On Earth - Imagining, Technology and the Natural World», group show, Foam Museum, Amsterdam and Lieu Unique, Nantes (NL)
• «Foam Talent», group show, touring exhibition, Paris, Amsterdam, Paris, Berlin
• «Nach uns die Sintflut», group show, Kunsthaus Wien (AT)
2019
• Approche Paris (FR)
• Unseen Photo Fair, Amsterdam (NL)
• European photo festival «Circulation 2019», Paris (FR)
• «When the Air Becomes Electric», Centre de la Photo-
graphie Genève (CH)
2018
• «Equivalences», solo exhibition, Bildhalle, Zurich (CH)
2017
• «The Sky Seemed Not A Sky» Artnivo Gallery, Istanbul (TR)
• «DNB Acquisitions», Dutch National Bank acquisitions (NL)
• Solo exhibition, Unseen Photo Fair, Amsterdam (NL)
Collections
• Art collection ABN AMRO Bank
• Art collection De Nederlandsche Bank
• Art Collection Stadt Winterthur
• Art collection Kanton Zürich
• Art collection Swiss Post
• Art collection Swiss Re
• Art collection Zürcher Kantonalbank
• Art collection Credit Suisse
• Various private collections
Awards
2021
Nomination Zurich Art Grand
2019
• FOAM Talent 2020
• Prix Pictet, nominated
2016
• Paul Huf Award, Amsterdam, nominated, 2015
• Prix de la Relève Photographique,
Pro Helvetia, swiss council for culture
2015
• Kunst Zürich Förderpreis 2015
• Paul Huf Award 2015, Amsterdam, nominated
• Swiss Federal Design Awards 2015, nominated
• Swiss Design Awards 2015 catalogue by Jonathan
Hares
• Fotopub Festival exhibition catalogue
Monthly Photography, South Corea, 8 pages interview and portfolio
2014
• EWZ Selection 2014, shortlisted
• Prix Photoforum Pasqu’Art, Biel
• ArtSlant Prize, awarded of an exhibition in Chicago
• Prix Voies–Off 2014, Rencontres d’Arles, shortlisted, Mention du jury
Publications
2018
• Equivalences, monograph, RVB Books
• Foam Magazine #49 »Back to the Future«
10 pages portfolio and essay by Mirjam Kooiman
2017
• Slices #1 curated by Sandrine Macé Krabal
& Julie Joliat
Abonnement gratuit au magazine
Articles, interviews, spectacles et événements. Livré dans votre boîte aux lettres chaque semaine.