Through an analysis from a theoretical perspective, Virginia Toma visually defines the abstract, clear and rigid notions of mathematics and their applicability in flat forms. Her artistic practice involves developing new thinking mechanisms that precede the artistic process. Using proportions and quantities, symmetry, alternation and abstract notions underlying geometry (such as the point, the line, the plane), she creates structures that ultimately prove to be independent, unitary and structurally compact elements, yet closely related to the principles initially applied in their composition. By marking all the elements resulting from a certain basic structure, dialogues appear between the initial structure and the elements that compose it.