Connexion
S'inscrire
FR
Jannemarein Renout investigates her own discovered technique of generating photographic images with altered flatbed scanners - from which its light source is switched off - and therefore reacts to daylight. In FOAM Magazine #49, published last year, Taco Hidde Bakker asks himself whether we should call the process 'renography' – following Man Ray’s photogrammic rayograph.
With her on-going project SCAN_2400 Jannemarein Renout is experimenting with making things visible that were invisible before as well. Light, motion and time are the only ingredients of each image. The device translates daylight into different colours and patterns, visualizations without intention or composition. Free from the artist’s hand. It is a visual language which origin is outside the world of meaning. Renout’s ultimate goal is to keep her influence as a maker of the image to a minimum. Light, motion and time are not only the ingredients but also the creators.
In recent years she has dived deeper into the possibilities of the medium. It remains a dialogue between coincidence and influence, but her focus has shifted back to the beginning of the process: the moment the scan is made. While previously weather circumstances where her main focus, she has now added three more methods into her research: scanning at specific moments of the day, the use of multiple scanners at the same time, and the use of different types or brands of scanners. Whereas she started in 2014 with one scanner, she now has a collection of 38.
With her on-going project SCAN_2400 Jannemarein Renout is experimenting with making things visible that were invisible before as well. Light, motion and time are the only ingredients of each image. The device translates daylight into different colours and patterns, visualizations without intention or composition. Free from the artist’s hand. It is a visual language which origin is outside the world of meaning. Renout’s ultimate goal is to keep her influence as a maker of the image to a minimum. Light, motion and time are not only the ingredients but also the creators.
In recent years she has dived deeper into the possibilities of the medium. It remains a dialogue between coincidence and influence, but her focus has shifted back to the beginning of the process: the moment the scan is made. While previously weather circumstances where her main focus, she has now added three more methods into her research: scanning at specific moments of the day, the use of multiple scanners at the same time, and the use of different types or brands of scanners. Whereas she started in 2014 with one scanner, she now has a collection of 38.
Oeuvres d'art
Médias
Points forts
Recommandations
Collections
Expositions
Position sur le marché
CV
Oeuvres de Jannemarein Renout
Médias
Museum Winterthur: Interview Jannemarein Renout (2018)
expositions
Position sur le marché
Photographer Jannemarein Renout, born in 1969, currently lives and works in Monnickendam. In 2014 she graduated from the Gerrit Rietveld Academy in Amsterdam with a BFA specialized in photography. Jannemarein is currently pursuing an MFA in Painting at the Frank Mohr Institute in Groningen. Her artistic practice consists not only of the act of photography, moreover of the invention of new photography techniques and devices.
Jannemarein has been exhibiting her work since 2013: solo and in groups, in The Netherlands and abroad, both in galleries and museums. Among these occasions are exhibitions at Chetvert Art Space in Sint Petersburg RU, Nederlands Fotomuseum Rotterdam, Dutch Design Week Eindhoven, Photo Museum Winterthur CH, and Galerie Bart. The collaboration between Galerie Bart and Jannemarein Renout dates back to 2014 and resulted in multiple exhibitions and fair participations, such as Unseen Photo Fair in Amsterdam, Positions Berlin DE, PAN Amsterdam, and, in the near future, Photo Basel and Volta Basel CH. Her photographs are part of the art collections of Delta Lloyd, NN Group, Ministry of Health, Welfare and Sport, De Brauw Blackstone Westbroek, Netherlands Enterprise Agency, Ministry of Education, Culture and Science, and of several private collectors.
Jannemarein has been exhibiting her work since 2013: solo and in groups, in The Netherlands and abroad, both in galleries and museums. Among these occasions are exhibitions at Chetvert Art Space in Sint Petersburg RU, Nederlands Fotomuseum Rotterdam, Dutch Design Week Eindhoven, Photo Museum Winterthur CH, and Galerie Bart. The collaboration between Galerie Bart and Jannemarein Renout dates back to 2014 and resulted in multiple exhibitions and fair participations, such as Unseen Photo Fair in Amsterdam, Positions Berlin DE, PAN Amsterdam, and, in the near future, Photo Basel and Volta Basel CH. Her photographs are part of the art collections of Delta Lloyd, NN Group, Ministry of Health, Welfare and Sport, De Brauw Blackstone Westbroek, Netherlands Enterprise Agency, Ministry of Education, Culture and Science, and of several private collectors.
CV
Jannemarein Renout (1969, NL)
Opleiding
Heden > Frank Mohr Instituut, Groningen, MFA Painting
2011–2014 > Bachelor of Fine Arts Photography department Gerrit Rietveld Academie, Amsterdam (BFA)
2007-2009 > DOGtime Gerrit Rietveld Academie, Amsterdam
2000-2002 > Kunstgeschiedenis, Universiteit van Amsterdam
1989-1995 > Rechten, Universiteit van Amsterdam (LLM)
Exposities
2019 > Unseen Photo Fair met Galerie Bart, Amsterdam
2019 > PICKME! WeLikeArt, De.Groen, Arnhem
2018 > ZomerExpo The One Person Expo Box, StevensKerk, Nijmegen
2018 > SITUATIONS / Posthuman #133, Fotomuseum, Winterthur (CH)
2018 > The Frozen Fountain, Amsterdam
2018 > NO/TIME, groepsexpositie, Willem Twee, Den Bosch
2017 > It's a Game of Give and Take, Envision VDMA, Dutch Design Week, Eindhoven
2017 > Unseen met Galerie Bart, Amsterdam
2017 > Les Boutographies, Montpellier (FR)
2016 > Beyond the Naked Eye, Kelderman en Van Noort, Eindhoven
2016 > New Window, Dutch Design Week, Eindhoven
2016 > Positions Berlin, Galerie Bart, Berlijn
2016 > Duo-expositie met Casper Verborg, Galerie Bart, Amsterdam
2016 > Groepsexpositie, Galerie Bart Nijmegen
2016 > Quickscan NL#02, Nederlands Fotomuseum, Rotterdam
2015 > PAN met Galerie Bart, RAI, Amsterdam
2015 > Unseen Photo Fair met Galerie Bart, Westergasterrein, Amsterdam
2015 > YIPart Fotoveiling, Christie's, Amsterdam
2015 > 'Paper Works’ duo-expositie, Sophie Maree Gallery, Den Haag
2015 > Claudia Sträter & Dutch Art Shop etalage expositie, Amsterdam/Groningen/Rotterdam
2015 > Rotterdam Contemporary Art Fair met Sophie Maree Gallery, Rotterdam
2014 > Book Fair of Unique Publishers Paradiso, Amsterdam
2014 > Nieuwe Oogst, Galerie Bart Amsterdam
2014 > New Dutch Photography Talent, GUP Magazine, Gallery 5&33, Amsterdam
2014 > Steenbergen Stipendium, Nederlands Fotomuseum, Rotterdam
2014 > Unseen Photo Fair, Westergasfabriek, Amsterdam
2014 > Ontdek De Kunst van Zuid Amsterdam Arts Village by CLAIRE
2014 > Nieuwe Oogst, Galerie Bart Nijmegen
2014 > The Best of Graduates, Galerie Ron Mandos, Amsterdam
2014 > Grid Fotoweek Fotoflash exhibition, Basisbureau Tolstraat Amsterdam, by CLAIRE
2014 > Rietveld Eindexamenshow, Gerrit Rietveld Academie, Amsterdam
2014 > Constant Companion’ Rietveld Oude Kerk Amsterdam, by CLAIRE
2013 > ‘?????/overal II’, Butcher’s Tears, Amsterdam
2013 > ‘?????/overal’, Chetvert Art Space, Sint Petersburg (RU)
2013 > ‘Reality: Play’, Generaal Vetterstraat Amsterdam
2013 > UNTERSICHT, Gallerie der HFBK, Hamburg (DE)
2012 > Pop-Up Bookstore, Galerie de Schans, Amsterdam
Publiciteit
2018 > Back to the Future, Foam Magazine, No. #49
2017 > Volkskrant Magazine No. 842
2016 > Talks About Photography (TAP2016)
2016 > De Donker Kamer Rotterdam #8, interview
2016 > Quickscan NL #2 , De Witte Raaf, No. 180
2016 > Waarom houden jonge fotografen niet van fotografie?, metropolism.com
2016 > De nieuwe fotografie ziet er niet uit als fotografie, nrc.nl
2016 > FRAME magazine, Issue #109
2016 > SCAN2400, poster, design Main Studio, extended full color Rob Stolk Amsterdam
2016 >X-Knowledge Co. Ltd. Japan, front cover (Favourable Factors), September Issue No. 9, Japan
2015 > "Why does everything look so nice all of a sudden?" (Where Do We Go From Here To Play) Making Spaces IV - I Can't Leave The Room MoMart Amsterdam by CLAIRE
2015 > Interview Claudia Sträter & Dutch Art
2015 > Glamcult Independent Style Paper No. 8 #116
2015 > Volkskrant Magazine No. 743
2015 > Abstracte lichtkunst dankzij 'doodgewoon' scanapparaat, Professionele Fotografie (pf.nl)
2015 > Porftolio SCAN2400, newdawnpaper.nl
2015 > Imagine | Play | Create, booklet, hand folded, design Studio Rutger Vos, EPS Media Amsterdam
2014 > Interview Kunstuur AVROTROS
2014 > Unseen Magazine Issue #1 Autumn
2014 > Nominatie / interview Steenbergen Stipendium 2014
2014 > Highlights of the Unseen Photo Fair, Purple fashion magazine, purple.fr
2014 > Graduation Shows 2014, metropolism.com
2014 > Eindexamen Expositie; Rietveld Amsterdam, lost-painters.nl
2014 > Eindexamen 2014, trendbeheer.com
2014 > Lichting 2014: Gerrit Rietveld Academie, kunstbeeld.nl
2012 > "Why does everything look so nice all of a sudden?" Rietveld UNCUT The Making Of, Brakke Grond Amsterdam, by CLAIRE
Nominaties
2017 > Grolsch Residency & Unseen
2017 > Meijburg Art Commission & Unseen
2017 > Les Boutographies de Montpellier Le Grand Prix du Jury 2017
2016 > Nominatie Van Lanschot Kunstprijs 2016
2014 > Nominatie Steenbergen Stipendium 2014 (SCAN2400)
Crossovers
2015 > Claudia Sträter & Dutch Art / Collectie voorjaar 2015 – Samenwerking resulteerde in een unieke sjaal, waarvan de opbrengst wordt geïnvesteerd in het financiële steun van jong talent.
2014 > Studio Bakker for Arper – Samenwerking resulteerde in een kleurschema voor soft office décor.
Collecties
2018 > NN Group Kunstcollectie subcollectie Delta Lloyd
2017 > NN Group Kunstcollectie
2017 > Ministerie van VWS
2016 > De Brauw Blackstone Westbroek
2016 > Rijksdienst voor Ondernemend Nederland
2016 > Ministerie van OCW
2014 > Claudia Sträter collectie (NL)
Werkervaring (selectie)
2000-2012 > Ministerie van Veiligheid en Justitie, Den Haag
1997-1999 > PriceWaterhouseCoopers, Utrecht
Opleiding
Heden > Frank Mohr Instituut, Groningen, MFA Painting
2011–2014 > Bachelor of Fine Arts Photography department Gerrit Rietveld Academie, Amsterdam (BFA)
2007-2009 > DOGtime Gerrit Rietveld Academie, Amsterdam
2000-2002 > Kunstgeschiedenis, Universiteit van Amsterdam
1989-1995 > Rechten, Universiteit van Amsterdam (LLM)
Exposities
2019 > Unseen Photo Fair met Galerie Bart, Amsterdam
2019 > PICKME! WeLikeArt, De.Groen, Arnhem
2018 > ZomerExpo The One Person Expo Box, StevensKerk, Nijmegen
2018 > SITUATIONS / Posthuman #133, Fotomuseum, Winterthur (CH)
2018 > The Frozen Fountain, Amsterdam
2018 > NO/TIME, groepsexpositie, Willem Twee, Den Bosch
2017 > It's a Game of Give and Take, Envision VDMA, Dutch Design Week, Eindhoven
2017 > Unseen met Galerie Bart, Amsterdam
2017 > Les Boutographies, Montpellier (FR)
2016 > Beyond the Naked Eye, Kelderman en Van Noort, Eindhoven
2016 > New Window, Dutch Design Week, Eindhoven
2016 > Positions Berlin, Galerie Bart, Berlijn
2016 > Duo-expositie met Casper Verborg, Galerie Bart, Amsterdam
2016 > Groepsexpositie, Galerie Bart Nijmegen
2016 > Quickscan NL#02, Nederlands Fotomuseum, Rotterdam
2015 > PAN met Galerie Bart, RAI, Amsterdam
2015 > Unseen Photo Fair met Galerie Bart, Westergasterrein, Amsterdam
2015 > YIPart Fotoveiling, Christie's, Amsterdam
2015 > 'Paper Works’ duo-expositie, Sophie Maree Gallery, Den Haag
2015 > Claudia Sträter & Dutch Art Shop etalage expositie, Amsterdam/Groningen/Rotterdam
2015 > Rotterdam Contemporary Art Fair met Sophie Maree Gallery, Rotterdam
2014 > Book Fair of Unique Publishers Paradiso, Amsterdam
2014 > Nieuwe Oogst, Galerie Bart Amsterdam
2014 > New Dutch Photography Talent, GUP Magazine, Gallery 5&33, Amsterdam
2014 > Steenbergen Stipendium, Nederlands Fotomuseum, Rotterdam
2014 > Unseen Photo Fair, Westergasfabriek, Amsterdam
2014 > Ontdek De Kunst van Zuid Amsterdam Arts Village by CLAIRE
2014 > Nieuwe Oogst, Galerie Bart Nijmegen
2014 > The Best of Graduates, Galerie Ron Mandos, Amsterdam
2014 > Grid Fotoweek Fotoflash exhibition, Basisbureau Tolstraat Amsterdam, by CLAIRE
2014 > Rietveld Eindexamenshow, Gerrit Rietveld Academie, Amsterdam
2014 > Constant Companion’ Rietveld Oude Kerk Amsterdam, by CLAIRE
2013 > ‘?????/overal II’, Butcher’s Tears, Amsterdam
2013 > ‘?????/overal’, Chetvert Art Space, Sint Petersburg (RU)
2013 > ‘Reality: Play’, Generaal Vetterstraat Amsterdam
2013 > UNTERSICHT, Gallerie der HFBK, Hamburg (DE)
2012 > Pop-Up Bookstore, Galerie de Schans, Amsterdam
Publiciteit
2018 > Back to the Future, Foam Magazine, No. #49
2017 > Volkskrant Magazine No. 842
2016 > Talks About Photography (TAP2016)
2016 > De Donker Kamer Rotterdam #8, interview
2016 > Quickscan NL #2 , De Witte Raaf, No. 180
2016 > Waarom houden jonge fotografen niet van fotografie?, metropolism.com
2016 > De nieuwe fotografie ziet er niet uit als fotografie, nrc.nl
2016 > FRAME magazine, Issue #109
2016 > SCAN2400, poster, design Main Studio, extended full color Rob Stolk Amsterdam
2016 >X-Knowledge Co. Ltd. Japan, front cover (Favourable Factors), September Issue No. 9, Japan
2015 > "Why does everything look so nice all of a sudden?" (Where Do We Go From Here To Play) Making Spaces IV - I Can't Leave The Room MoMart Amsterdam by CLAIRE
2015 > Interview Claudia Sträter & Dutch Art
2015 > Glamcult Independent Style Paper No. 8 #116
2015 > Volkskrant Magazine No. 743
2015 > Abstracte lichtkunst dankzij 'doodgewoon' scanapparaat, Professionele Fotografie (pf.nl)
2015 > Porftolio SCAN2400, newdawnpaper.nl
2015 > Imagine | Play | Create, booklet, hand folded, design Studio Rutger Vos, EPS Media Amsterdam
2014 > Interview Kunstuur AVROTROS
2014 > Unseen Magazine Issue #1 Autumn
2014 > Nominatie / interview Steenbergen Stipendium 2014
2014 > Highlights of the Unseen Photo Fair, Purple fashion magazine, purple.fr
2014 > Graduation Shows 2014, metropolism.com
2014 > Eindexamen Expositie; Rietveld Amsterdam, lost-painters.nl
2014 > Eindexamen 2014, trendbeheer.com
2014 > Lichting 2014: Gerrit Rietveld Academie, kunstbeeld.nl
2012 > "Why does everything look so nice all of a sudden?" Rietveld UNCUT The Making Of, Brakke Grond Amsterdam, by CLAIRE
Nominaties
2017 > Grolsch Residency & Unseen
2017 > Meijburg Art Commission & Unseen
2017 > Les Boutographies de Montpellier Le Grand Prix du Jury 2017
2016 > Nominatie Van Lanschot Kunstprijs 2016
2014 > Nominatie Steenbergen Stipendium 2014 (SCAN2400)
Crossovers
2015 > Claudia Sträter & Dutch Art / Collectie voorjaar 2015 – Samenwerking resulteerde in een unieke sjaal, waarvan de opbrengst wordt geïnvesteerd in het financiële steun van jong talent.
2014 > Studio Bakker for Arper – Samenwerking resulteerde in een kleurschema voor soft office décor.
Collecties
2018 > NN Group Kunstcollectie subcollectie Delta Lloyd
2017 > NN Group Kunstcollectie
2017 > Ministerie van VWS
2016 > De Brauw Blackstone Westbroek
2016 > Rijksdienst voor Ondernemend Nederland
2016 > Ministerie van OCW
2014 > Claudia Sträter collectie (NL)
Werkervaring (selectie)
2000-2012 > Ministerie van Veiligheid en Justitie, Den Haag
1997-1999 > PriceWaterhouseCoopers, Utrecht