Among the subjects depicted, we encounter a woman floating through a street in a red dress, Peter Pan and a monkey (or a devil?) dressed as Little Red Riding Hood. Other works appear more realistic, like a self-portrait in front of a mirror, a garden door invitingly ajar on a languid summer day or the lively ambiance of a party. Occasionally, the titles of the works imbue the works with an ironic or poetic layer, such as "Kebab Shop Nativity". Other works are rendered more mysterious by the addition of a title, like "Fugitives Dream (Mother and Child)", "High Priestess", or "The First Time (That Never Happened)". Haquin's compositions are rich tapestries of narrative and detail, refusing to steer the observer's gaze in any one direction. The backgrounds often demand as much attention as the characters in the foreground. When Haquin posts his works on Instagram, he usually posts an overview image followed by a number of detail shots that force you to look more deeply and appreciate the nuances. Earlier this year, during Rotterdam Art Week, the artist welcomed the public in his studio in a former school building.
Haquin's paintings are characterised by an expressive touch, complex emotional layers and a powerful colour palette. He prefers the alla prima painting method, in which a new layer of paint is applied before the underlying layer has dried. This results in lively and spontaneous works with rich colour mixtures and a certain dynamism and sense of urgency. The gallery beautifully states that with this method, he effectively 'creates space in the painting'. Haquin often uses models for his works, with whom he reenacts certain scenes in his mind. The artist's practice is marked by deep curiosity and boundless imagination.