The work of Kévin Bray oscillates between several media – namely video, graphic design, and sound design – through which he questions the existence of the image and its modes of production. To what extent is a still image time-related? How do media and format interact and influence each other? He tries to understand how the form and language of a particular medium are visualised and manipulated, in order to apply those rules (codes) to another medium. His interest lies in playing with the possible porosity created by confrontation and it is through this methodology that he aims to open and diversify a language and explore the limits of its possibilities.