Throughout her oeuvre Klein explores the relationship between reality and representation. Working from photographs taken and developed by herself, Klein creates paintings that depict abstracted landscapes and deserted, impersonal architectural spaces. Through painting, she approaches her experience of the captured image, even including ‘mistakes‘ formed during the development process. As such the paintings question how we hold on to our view of the world surrounding us, when this process is mediated by equipment such as cameras. This question seems all the more relevant in light of the rise of social media that have popularised the sharing and taking of photographs. These streams of photographs present a vision of the world that is often heavily edited through digital colour filters. Referencing these filters, Klein layers colour over her photographed visions. These distortions, often the result of chance occurrences in the development process of the photographs, make for compelling landscapes that seem both alien and familiar.
Throughout her oeuvre Klein explores the relationship between reality and representation. Working from photographs taken and developed by herself, Klein creates paintings that depict abstracted landscapes and deserted, impersonal architectural spaces. Through painting, she approaches her experience of the captured image, even including ‘mistakes‘ formed during the development process. As such the paintings question how we hold on to our view of the world surrounding us, when this process is mediated by equipment such as cameras. This question seems all the more relevant in light of the rise of social media that have popularised the sharing and taking of photographs. These streams of photographs present a vision of the world that is often heavily edited through digital colour filters. Referencing these filters, Klein layers colour over her photographed visions. These distortions, often the result of chance occurrences in the development process of the photographs, make for compelling landscapes that seem both alien and familiar.
In her oeuvre Klein likes to focus on the artificial ‘worlds within the world’ such as swimming pools, airports, subway stations and now greenhouses.
The large-scale and panoramic canvasses invite the viewer to step into an atmosphere, as if you are passing through the scenery yourself.
Her latest works not only show the flora and fauna you would expect but also focus on the architectural elements: window frames, tubes and pipes that are so clearly present in a greenhouse. There is an amount of alienation, spaces clearly designed by humans but without any signs of people being present.