With her artworks, Louise wants us to look at the world around us with softer eyes. She wants to make us more aware of the beauty that surrounds us and how we could celebrate it even more. She does this by stretching reality so that new forms arise. She asks herself: ‘How flexible is the world, anyway?’ According to her, the world is just as flexible and supple as the mind.”
With Louise, the forms come before the words. When she is making work, she tries not to think too much, but to be guided by a deeper form of concentration and to be open to the unexpected. Until she suddenly sees what she has made and thinks: 'This is it, it can only be exactly like this and nothing else.' And later the words come.
She herself says about this: 'As an artist I find it fascinating to put together objects that initially seem to have nothing to do with each other. Old, new, odds and ends, animals and so on. This automatically creates a new story: about my amazement at life and the bizarre beauty of natural and unnatural materials. But I also question pollution and life in our time.'
The more abstract works are about gravity and her desire for weightlessness. They can also be points of departure for the spatial work that she makes in addition to her photographic work. In addition, she builds worlds, such as the work 'Calling the potato with a little bit of sugar', from which she would like to take pieces and make them in real life. But they are also an ensemble; the objects in the work belong together.