Wilfredo Prieto's (Sancti-Spiritus, Cuba, 1978) oeuvre is characterised by extreme minimalism, sarcasm and self-mockery. Ferran Barenblit, director of the CA2M in Madrid, describes Prieto's approach: 'Perhaps one of Wilfredo Prieto's cleverest tactics is his apparent invisibility in the relation between the work of art and the spectator.' In particular that neutral approach, the limited interference of the artist, enables the spectator to interpret his works in their own way. Barenblit: 'As the artist himself regularly says: "Ideas exist in the real world, just like clouds. You can see them and catch them". In a certain way Prieto reminds us of the fact that everyone could have done what he did'. Prieto allows the spectator a range of possibilities, 'a space of unprecedented richness, and this is what makes art a colossal and indispensable human activity.' (Ferran Barenblit, 'The Straightest Line', in: Wilfredo Prieto. Amarrado A La Pata De La Mesa, 2011)