The work of Víctor Santamarina takes the idea of fluidity to an extreme and in this case the deprivation of control becomes the objective. The resulting works may be reminding us of... but are not. The solidity and heaviness of the material contrast with its soft, delicate appearance, a little atrocious even, as if it escapes out of the hands. Following this malformation, as it were, we are confronted by human bodies by definition but that contrast with the image we have of them; The gesture points to the effect of lights and music that causes one element to be detached from another, one elbow thrown in front and our legs in a transformative accumulation one time, two times, tree times...